ABSTRACTS
Phillip Kavanagh
"Theatre and/as Collaboration"
Theatre, as an art form, is built on collaboration. Perhaps the most central relationship when it comes to meaning making is between a playwright and a director. I’m interested in exploring the artistic relationship I have built with director Nescha Jelk across multiple projects. While writers are often seen as the author of a text, and directors of a production, Nescha and I are an example of a collaboration where these distinctions are blurred. Despite very clear roles in the program notes, we share the authorship of both text and production, and in our five years of working together, we have navigated through the precarious terrain of attempting to honour our own artistic voices while giving space for each other’s. Along the way, we’ve developed a process, an aesthetic, an ethos, a theatre company, and a body of work that traces our shared thinking on the state of the world.
Bambi Ward
"Balancing inner and outer collaborators"
What happens when a memoirist wants to write about a family secret involving identity? I will discuss the inner tension between the part of me that felt guilty about betraying my family if I broke the silence, and the part of me that felt the price of keeping silent was too great. It was only when these two parts within me could collaborate that I felt free to write my memoir. The support I received by working with an art therapist helped me reach that point. I will outline these inner and outer collaborations, and point out how both were needed in my case. I also collaborated with a transcriber who transformed 20 hours of oral history interviews I conducted on my mother. I will briefly describe the importance of the transcriber-interviewer relationship in this collaboration if time permits.